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The exhibition Drawing (Paper) Show was an extended by a special edition of the Drawing Paper. Which showcases the diverse and varied drawings of 50 artists from around the world. The exhibition at The Bridewell Studios and Gallery, Liverpool, ran from 22nd July – 13th August 2023. The paper, published and designed in Liverpool, is shared nationally. Both explore the idea of drawing for drawing’s sake.

The Notice Board is showing the complete paper with pages being changed every two days. The Notice Board is interested in how “drawing for drawing’s sake” is a universal freedom available to all. And just like “art for art’s sake” it has the potential to challenge power and exert personal/ individual choice.

Drawing (Paper) Show was curated by Collette Lilley, Sarah Jane Richards, Jon Barraclough and Mike Carney. The exhibiting artists are Alex Wolkowicz, Amanda Ravetz, Anna Huttonartist, Arthur Roberts, Athena Jones, Bryan Biggs, Camille Smithwick, Caragh Savage, Carriage Return, Christina Rose Brown, Colette Lilley, Cristina Celestini, Curtis Holder, Daksha Patel, Emma Withers, Gabriela Vargas Telaya, Gail Altschuler, Gary Clough, Garner Harry, Inês-Hermone, James Robert Morrison, Jason Thompson, Jim Grant, Jonathan Stockley, Joseph Schneider, Julia Midgley, Julie Lawrence, Kaja Stumpf, Kate Genever, Lesley Halliwell, Lizzie Thurman, Lucy Pass, Maree Hensey, Mark Clay, Matthew Timmins-Williams, Mike Carney, Naomi Kendrick, Natalia Kulka, Neal Vaughan, Nickson Kimaro, Nutsa Gogaladze, Penny Davenport, Ruby Wright, Sarah Jane Richards, Silvia Battista, Tansy Lee Moir, Tessa Maiden, Tomo, Tricia Gillman, Jon Barraclough

United Arts Network is a small group of learning disabled artists working together to promote their artistic achievements, individuality, independence and autonomy as creative people. They share ideas and inspire each other while also actively engaging with artistic practitioners and groups in the wider community.

The group meet at Rob Bibby’s Woodnewton Pottery Studio in Northamptonshire. They have found great support, friendships and further opportunities through this vibrant and engaging rural arts space. The Network has flourished in this setting finding strength, connection and a sense of belonging to a much wider artistic community.

The artists showing are Emily Jinks  with prints of paintings: Bop Pop and  Summertime Spread. Emily says of Bop Pop: “I like bubbles and round round going pop, outside being with garden friends fun! Bop!”. She described Summertime Spread as  ‘Star, sky, planet looking flowers everywhere Spread! and Andy King with the flag: American Dream. Supported artist Ruthie Williams, has used the flag to express ideas around the free movement of people given the current struggle by many to do this.

The Notice Board is a radical space – an action in the face of the enormous challenges of our time – be that ecological, social, political. It uses art and ideas as an act of resistance. United Arts Network mirror this ambition as they strive to find new ways to make work and speak out.

Exhbition 47 features a double sided Screenprint on A1 newsprint titled I am here, for you and a HOME LAND flag. Both by Kate Genever. Kate says: Side one features an unfired dried hard raw clay thumb pot, from a set of 18, that have overheard quotes scratched onto their surface. The pots, made from clay dug at Croft Farm, Uffington, stand on individually made Hawthorn rings, which are on side two. The prints were created both to wrap the pots in and as a gift for those attending a showcasing event. The pots of I am here, for you were created in response to research about farming practices in Lincolnshire and Cambridgeshire. But in particular a consideration on how farmers and countryside specialists work in, on and with the land; and how we imaginatively transfer, draw up, celebrate, distil and repurpose it for the healing and nourishment of ourselves and others. I undertook 25 interviews which produced the words that are on the pots.

The Notice Board is interested in how Kate’s pots and their phrases reveal a farmers embroiled, embedded and engaged relationship with the land. Posing a question: Are these people really free?

Kate Genever is an artist and farmer. More work can be seen HERE

For this months show Pauline asks: Do you know what you are made of? The dust of stars. Elements such as oxygen, carbon, nitrogen to the iron in your blood are your physical building blocks. Your evolution has been eternal. Regardless of our heritage we are interconnected from the very depths of the universe on a vast molecular level. You are in the body of your ancient ancestors who looked to the night sky in necessity and navigation. Today many indigenous communities are struggling to maintain a deep connection to their sky heritage due to the increase in light pollution and objects in low earth orbit.  

Constructed of personal x-rays, astrophotography and alternative photographic images, The Body and The Universe asks you to take a moment and consider the relationship to our biological interconnectedness through the depths of the universe. Which The Notice Board might argue is never The Land of the free?

Pauline is based in the East Midlands and considers her relationship to sky, time, place and astronomy often in an urban setting. Her photo ‘Solar Tree’  is the winning image of the Astronomy Photographer of the Year 2022  and she was shortlisted for the Investment Insight Astronomy Photographer of the Year 2021.  paulinewoolley.co.uk   

Exhibition 44 features a drawing and new flag work by Sue Shields entitled The Fettered Crumb. Sue says: Much of my work is derived and reimagined from stories found in song, history, landscape and contemporary experiences. I understand the world to be a place of predicament, loss, beauty and contrasts. Crumb is an imagined character. A personification of the tilled agricultural soil of the Fen. They are an amorphous creature battling with environmental pressures immersed in its own legacy of ever depleting fertility. It’s a primal force who attracts other pilgrims on its journey through our shared national landscape and only one part of my own imagined epic: The Coronach, which is a mourning lament.

Sue is an based in printer and mixed media artist in East Lothian. Until 2022 she was based in Peterborough and worked at The Crumb Studio in  the Cambridgeshire Fens.
Instagram: @sueshields_art

Exhibition 43 showcases two new works by French artist Celine Siani Djiakoua. Who says: Knowing no cultural or political boundaries, the archetype of the snake-woman or fish-woman can be found all around the world and in earliest pre-religious depictions. Sometimes having wings, she can escape and fly wherever she wishes. I like to dream of her as Nature on Earth. A natural force, existing within the psyche of Humanity and within the natural world itself, all around the globe. I feel her when I select the plants for my botanical prints. She’s been making me to draw her for years now. Here she is again, existing wherever she pleases, knowing no boundaries ….  One day I would like to tell the story of how she entered my life, a long time ago, through series of synchronicities, as archetypes do …. But in the meantime, I work  “with her”, using plants and other natural materials to produce botanical prints and natural inks of all sorts. 

The Notice Board selects artists to show here by considering how their work relates to the theme The Land of the Free?. For Celine and her work there are many connections and reasons. For example we could think about the freedom of natural forces and how nature makes itself available as a material for Celine to utilise. Or we might see how colonisation and ongoing oppressions continue to impact personal and public freedoms. The Notice Board wonders what freedom you might consider as you look at her work?

For more information see @celine_siani_djiakoua