Watermark.
2017
What distinguishes the life of a village is that it is also a living portrait of itself: a communal portrait, in that everybody is portrayed and everybody portrays: and this is only possible if everybody knows everybody. A village’s portrait of itself is constructed not out of stone but out of words, spoken and remembered: out of opinions, stories, eyewitness reports, legends, comments and hearsay. And it is a continuous portrait: work on it never stops.
John Berger
Like many others in South Lincolnshire my village is part of an agricultural area that’s highly managed and valuable, yet it’s challenged by global, environmental and social tensions. Tensions that along with my embedded connection, our village’s photographic archive, lost architectures, the weather, geography and time and stories, inspired these landscapes.
Charcoal, pastel on Heritage paper
Each 140cm x 100cm
Funded by
St Hughs Foundation
Related
-
Its somewhere between where we’ve come from and where we’re going.
2017
-
I am burnt but not yet consumed.
2018/19
-
Croft Farm. Lincolnshire.
2006-07
-
Artist Investigator.
2018 - ongoing
-
You hovered and brooded over the face of the waters.
2020
-
Maybe, if only?
2012
-
Re:place.
2009
-
Ordinary subjects which in their ordinariness are extraordinarily representative.
2018
-
Noticing the Now
2020
-
NOW
2020 – ongoing
-
Why drawing, now?
2016
-
Let it go
2008–ongoing
-
Ball bearings for Glaciers.
2007
-
Farm Archive.
2007 -ongoing
-
Landscapes the same all over the world.
2006 - 2008
-
Events nearly forgotten.
2018/19
-
I sleep in the bed I was born in.
2021
-
Kate Genever film
2021
-
All the seas are fields.
2018/19
-
Little Arrows
2024 - ongoing