Everybody knows but their fingers are crossed.
2018
This drawing features a sandbagged flood defence with the paper’s curled edge suggesting the wave. It forms part of a body of work that explored the fragile nature of engineered landscapes – sites I call half land half water. This work in particular relates to South Lincolnshire and how we battle with nature to live and work in places that are at or undersea level.
This work has been shown alongside this film.
Funded by
Arts Council England
Supported by
Metal Peterborough
Related
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Everything was forever until it was no more.
2016
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We must do battle where we are standing.
2018
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Even though the table has gone it can always be re-assembled.
2019
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The eyes they never lie
2019
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Eulogy to those who lost their lives at sea.
2019
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You hovered and brooded over the face of the waters.
2020
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Patience is no longer the answer
2014
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The state of us.
2020
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New Drawing Club
2008 – ongoing
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Though the ways were lost.
2018
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Becalmed.
2018
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Rotterdam Residency.
2019
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Slowly I find my way in.
2016
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The Ballad of Whittlesea Mere
2018/19
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I no longer fear the invisible, I’m terrified by reality / Blind faith?
2022
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We are our own promised land.
2023